Measure of Darkness Read online

  Praise for the novels of

  CHRIS JORDAN

  “Harlan Coben meets Mary Higgins Clark—that’s Taken. [It] will send chills up your spine.”

  —Steve Berry

  “A skillful storyteller, Jordan keeps the action constant.”

  —RT Book Reviews

  “One of the short list novels for thriller of the year.”

  —Midwest Book Review on Taken

  “Shouldn’t be missed; with its plethora of thrills, engaging characters, and fast plotting, it has all that’s needed…to make for a late night.”

  —New Mystery Reader Magazine on Taken

  “Jordan takes the action one step beyond.”

  —RT Book Reviews on Trapped

  “Puts you in the shoes of the parent going through their child’s teen years and turns it into a great mystery novel.”

  —The Bookworm Society on Trapped

  “Extremely well written…a very good read, with an interesting twist.”

  —Crime Squad on Taken

  “Heart-pounding.”

  —Publishers Weekly on Torn

  Also by Chris Jordan

  TORN

  TRAPPED

  TAKEN

  CHRIS JORDAN

  MEASURE OF DARKNESS

  For Lynn, forever and always.

  Little Gull Cottage

  Prides Crossing, Massachusetts

  Being a genius isn’t terribly useful when you’re five years old. Joey understands chord progressions, he sees the shape of music way better than most adults, but has very little understanding of evil in the shape of man. And yet he senses that something is wrong. The bad man has never touched or threatened the boy—all communication comes through the woman—but the man’s very presence makes Joey regress to his old habit of sucking his thumb. A habit he long ago—a year at least—abandoned to please his mother.

  Mi Ma. Mommy. Joey last saw his mother two weeks ago, and he worries incessantly that he may never see her again, despite more or less constant reassurance from the woman who is taking care of him.

  “Where’s my real mommy?” he asks. It’s his most frequent question, and the only one that matters.

  “I told you, sweetie, she had to go away to the hospital.”

  Joey nods, his eyes big. “Real Mommy’s okay?”

  “She’s fine. She’ll be back in a few days, as soon as she’s all the way better. Okay?”

  “Okay,” he says.

  “You want to play some more? How about your Mozart, you love Mozart.”

  On the verge of tears he shakes his head.

  “How about a story. The Phantom Tollbooth? You like that one, don’t you?”

  Weeping silently, the boy sucks his thumb and nods.

  The scary man has many names. Just lately he’s been calling himself Kidder. He thinks of himself as having a sense of humor, although others might disagree. If the ability to kill without remorse is funny—and it does sometimes make him laugh out loud—then he has a great sense of humor. His present assignment involves keeping an eye on a very special little boy and his caregiver. Great location. A private, oceanfront estate with absentee owners. Less than an hour from the city and yet it’s country quiet, with total privacy and a lovely view of the sea. Easy duty for him, not so much for the woman, who gets all in a tizzy when the boy whines for his real mother.

  Kidder doesn’t get it, why the kid won’t stop whining. The little brat has a new mommy, one focused solely on his welfare—a definite improvement on the old one, no question there. He has his special kid-size piano keyboard and his headphones, where he can practice for hours at a time—and only when he wants to, it’s not like anybody makes him. If he’s bored with music he has all the toys in the world, pizza whenever he wants and a big-screen TV loaded with DVDs of his favorite shows. Not exactly a torture situation. More like a trip to his own personal Disney World.

  At the moment New Mommy is reading him a story, and when she gets to the end she starts all over again, keeps it up until the brat finally falls asleep.

  Kidder thinks it’s funny that when New Mommy puts the kid to bed she calls it “putting him down.” Like he’s a dog at the pound being put to sleep forever. Not that New Mommy would ever do such a thing. She’s all soft and weepy and worried, totally clueless about the real nature of the operation, and comes to Kidder with her eyes wet, like she caught tears from the kid.

  “How much longer?” she asks.

  “A day. A week. Forever.”

  “That’s not funny!”

  “It is if I say it is,” Kidder says.

  “How long?” she insists.

  “Not my call. When Shane says so, that’s when. You know how he is.”

  “I need to speak to him,” she says, her voice choking. “I need to talk to Shane. Please?”

  He shakes his head, grinning. “You knew it was a one-way deal when you signed up. No calls to him. Not from me, not from you, not from anybody. That’s the only way to keep the boy safe. I explained all that.”

  “I know, I know, but it’s making me crazy.”

  “Yeah? I’ll make you crazy. Me and Wee Willie Winkie. Come on over here and sit on my lap.”

  “You’re disgusting!”

  That makes Kidder laugh. He makes the same sound when killing, a jagged, high-pitched giggle as sharp and sudden as a bag of razor blades. Not that he’s going to kill the woman or the brat.

  Not yet anyway. Not today.

  When it does happen, he’ll try to make it fun for everyone.

  Contents

  Part 1. The Last Kid Finder

  Chapter One: The Trunk Thing

  Chapter Two: Tea & Sympathy, Not

  Chapter Three: The Very Private Investigator

  Chapter Four: The Rest of Forever

  Chapter Five: Free Thought Radicals

  Chapter Six: Why Murder Is like Real Estate

  Chapter Seven: She Needs the Knowing

  Chapter Eight: The Bad Boys Club

  Chapter Nine: What the Cat Lady Said

  Chapter Ten: Promises to Keep

  Chapter Eleven: Where It Gets Complicated

  Chapter Twelve: Waves of Water, Waves of Light

  Chapter Thirteen: Life Is Short But She’s Not

  Chapter Fourteen: The Invisible Man Revealed

  Chapter Fifteen: Mrs. Beasley Presents

  Chapter Sixteen: Baked Alaska

  Chapter Seventeen: In the Name of Shane

  Chapter Eighteen: Gaba-dabba-doo

  Part 2. Realm of the Righteous

  Chapter Nineteen: A Little Kitten Made of Music

  Chapter Twenty: Black Hole

  Chapter Twenty-One: 8-Ballers

  Chapter Twenty-Two: Do Tell

  Chapter Twenty-Three: Rumors of Interest

  Chapter Twenty-Four: The Bogie Man Says Boo

  Chapter Twenty-Five: Nine Little Words

  Chapter Twenty-Six: Soon to Be Swooshed

  Chapter Twenty-Seven: Tink Like Shane

  Chapter Twenty-Eight: Two if by Drone

  Chapter Twenty-Nine: Enemies in High Places

  Chapter Thirty: Avoiding the Abyss

  Chapter Thirty-One: Sneakers Make the Man

  Chapter Thirty-Two: Say a Little Prayer

  Chapter Thirty-Three: The Smell Test

  Chapter Thirty-Four: The Pretty Cool Connection

  Chapter Thirty-Five: Mr. Invisible and the Hands of Iron

  Chapter Thirty-Six: Sleeping Giants

  Chapter Thirty-Seven: Truth & Consequences

  Chapter Thirty-Eight: Back to the Shed, with Cookies

  Chapter Thirty-Nine: Anything Is Possible

  Chapter Forty: Walk This Way

  Chapter Forty-One: F
acts as We Know Them

  Chapter Forty-Two: Elephants Not in the Room

  Part 3. Joey

  Chapter Forty-Three: Under a Veil of Leaves

  Chapter Forty-Four: True Confessions

  Chapter Forty-Five: Monster Man in the Electric Night

  Chapter Forty-Six: When the Scurry Time Is Here

  Chapter Forty-Seven: All the Way Home

  Chapter Forty-Eight: God Who Made the Stars

  Chapter Forty-Nine: Wicked Bad

  Chapter Fifty: The Luckiest Guy in the World

  Chapter Fifty-One: A Man Who Would Walk through Fire

  Chapter Fifty-Two: All They Need

  Chapter Fifty-Three: Too Many Guns

  Chapter Fifty-Four: Into the Night

  Chapter Fifty-Five: Whatever He Does for Fun

  Chapter Fifty-Six: Good Enough for Alice

  Chapter Fifty-Seven: Faith

  Chapter Fifty-Eight: Everything She Has Ever Feared

  Chapter Fifty-Nine: When the Music Stops

  Chapter Sixty: Best Done Alone

  Chapter Sixty-One: Almost Perfect

  Part 1.

  The Last Kid Finder

  Chapter One

  The Trunk Thing

  The killer came to us in the trunk of a Lincoln Town Car, and stayed just long enough to wreck the house. By that I mean the pile of brick that Naomi Nantz uses as her personal residence as well as for the business of solving unsolvable cases, assisting the helpless and generally amusing herself by being difficult, if not impossible.

  My name is Alice Crane, and I serve as Ms. Nantz’s recording secretary and chief factotum. In case you don’t know—I had to look it up when she hired me—a factotum is an employee or assistant employed in a wide range of capacities. I mean, come on, this is the twenty-first century, who uses fusty old words like that anymore?

  My boss, Naomi Nantz, that’s who.

  The Nantz residence takes up most of a block in the Back Bay area of Boston. Don’t bother trying to find us, we’re camouflaged as two—or is it three?—typical Victorian brick town houses located somewhere between Storrow Drive to the north, Boylston Street to the south, Arlington Street to the east and Charlesgate to the west. Check your map and you’ll see that pretty much covers the neighborhood. On the outside we’re staid and rather ordinary, the kind of staid and ordinary that only money can buy. On the inside, which was gutted and rebuilt a few years before I entered the picture, it’s clean and sleek and modern, except for the Zen sand garden that takes up part of the ground floor. Boss lady often meditates in the garden, drawing what look to me like meaningless lines in the sand, saying it helps her to think.

  Like several of the staff, I live in. At the time of hire, it wasn’t a choice for me because my adorable husband had suddenly vanished along with all of my money, and it was either the Nantz residence or my sister’s place in Malden. The choice was Back Bay, with twelve-foot ceilings, an exquisitely furnished suite, or Malden, a paneled basement with a cat-scented futon. Not a tough decision. There are days when boss lady drives me nuts, but my sister has the same ability, and she doesn’t pay. Whereas Naomi Nantz pays very well indeed, with benefits that include room and board, full medical and dental, as well as the occasional opportunity to right wrongs, dodge bullets, tilt at windmills and rescue kidnapped children.

  I’d like to say there’s never a dull moment, but that wouldn’t be true. There are many dull moments, for which I’m thankful. Twenty-nine years on this planet have taught me that dull moments are to be savored. Dull moments fortify the soul, because without them life would just be one thing after another, blurred together like the windows on a passing subway car.

  In my opinion the best dull moments occur around the kitchen table. In this case a ten-foot-long pickled-white oak table situated in the southeast corner of Mrs. Beasley’s basement kitchen. If Beasley has a first name, she’s not inclined to share it, nor any information about what might have happened to Mr. Beasley, if ever he existed. She’s not much for conversation, preferring to let her food do the talking. Her food, be assured, is eloquent on many subjects. For most people “fruit plate” suggests a cafeteria serving, but then most people have never had the experience of a Beasley Breakfast Fruit Plate. Farm fresh local strawberries dusted with one of her secret ingredients—could it be some exotic formulation of cinnamon? Perfectly ripened peaches that have doubtless been airlifted in from Georgia (Beasley has many connections) and sliced into mouth-size morsels. A single Medjool date stuffed with diced pecans. A chilled pear compote, lightly gingered. Honeyed bran muffins straight from the oven, slathered with hand-churned apricot butter that will make your eyes roll back in pleasure. And Mrs. Beasley’s famous French press coffee, which makes your favorite Starbucks taste like thin dishwater.

  There are only three at the table this morning because young Teddy Boyle, our spiky-haired live-in computer guru, has not yet emerged from his dungeon. Too much late-night fun, apparently. Well, he’s of a late-night age, either twenty-one (so he says) or eighteen (so Naomi thinks) or barely sixteen (my theory). Whatever, he’s missing the muffins, so to speak.

  For the better part of half an hour there are no more than a dozen words exchanged between us. Naomi, never a casual conversationalist, concentrates on her morning papers: the Boston Herald, Boston Globe, New York Times and Wall Street Journal, which she studies in exactly that order. Nothing casual about it, although she seems to enjoy the process as she scans and absorbs the text. Among her many talents, virtual retention of everything she sees, hears and reads. Not word-for-word, but the essence thereof. On many a case her remarkable memory has dredged up some small, useful item of information from weeks or months or even years ago. A notice of alternate parking on a particular street in the South End. Who was third runner-up in a celebrity fishing tournament in Nantucket. A warehouse fire in Jamaica Plain. A hit-and-run in Chelsea. Lives have been saved because of what she remembers, villains apprehended. In one very disturbing case a prominent sociopath took his own life—and if you knew the circumstances, and the unspeakable crime he committed, you’d undoubtedly agree he made the right choice.

  While Naomi reads, uploading data, Mrs. Beasley, silent as usual, methodically fills in Sudoku squares using a felt-tip pen, never lifting her eyes from the page. Left to myself I’d probably have the TV on to one of the morning chat shows, but there are house rules about television, so I content myself with the Globe’s entertainment section, improving my cultural awareness about the hottest new reality show.

  “Beasley, do you mind a question?”

  Beasley looks up from her puzzle, shrugs.

  “Okay, here goes. Say you’re a celebrity chef who has to prepare tarantula for eight—you’re in a Central American jungle, campfire but no stove—could you make it taste good?”

  “No,” she says, after giving it some thought. “Not tarantulas. I could do something with jumping spiders.”

  I’m pretty sure she’s kidding, but can’t be certain because that happens to be the moment when dapper Jack Delancey, our chief investigator, strolls in and makes the request that will soon result in us being invaded and the house, or part of it, being wrecked.

  “Sorry to interrupt, but this is an emergency situation,” he announces, his lean, athletic figure ramrod straight in a gorgeously tailored dark gray suit, a look that gets him dubbed “Gentleman Jack” in the tabloids. “I need your help.”

  “You, specifically?” Naomi asks, instantly alert.

  “A friend.”

  Naomi’s eyes drift back to the Journal. “Go through proper channels,” she says. “Being an employee doesn’t mean we drop everything to assist some crony of yours, Jack, certainly not before we’ve finished coffee. Run it by Dane, that’s the way it’s done.”

  Jack, normally a very cool customer, responds with an unexpected edge to his mellifluous baritone. “In about three seconds you’ll be removing your foot from your mouth. The man in trouble is Randall Shane.”
>
  The name is not familiar to me, but evidently it is to Naomi because she pushes back her chair and goes, “Why didn’t you say so? Where is he?”

  Jack grins handsomely. “Little problem there.”

  The Nantz residential garage is located on one of the so-called “public alleys” that bisect the blocks here in the Back Bay. The idea was that tradesmen would approach from the rear, skulking through alleys, rather than contaminating the formal entrances of the main streets. Nowadays there are more green Dumpsters than tradesmen in the alleys, but those town houses fortunate enough to have garages typically face them on the alley. It’s all part of being discreet—there’s no good coming from advertising where the BMWs are hiding. Also handy for smuggling in witnesses or suspects when you don’t want them to be seen entering your domicile.

  There are three narrow bays in the Nantz garage, and one of them is filled to overflowing by Jack Delancey’s nearly new Lincoln Town Car. To my way of thinking, Townies have that airport limo look, but Jack favors them for ride and size, and the dapper investigator would never be mistaken for a limo driver, not unless you want to find yourself cuffed to the bumper, admiring his chrome. Supposedly he hasn’t done that to anyone since he resigned from the FBI and went to work for Naomi, but I wouldn’t advise testing the guy. My read on Gentleman Jack is that he can be charming when he wants to be, and dangerous when it suits him, as many a bad actor has discovered to his or her own chagrin. “Bad actor” is Jack talk for criminal. Most of the time he talks like a cop, except on those rare occasions when he’s relaxed enough to discuss the fine points of professional baseball, when he sounds like just another statistically obsessed Red Sox fan from the North Shore. Jack’s a Gloucester boy, in accent if not at heart. Gloucester being more famous for craggy fishermen in slickers than lightly tanned investigators who favor two-thousand-dollar Italian suits and metrosexual manicures. Probably pedicures, too, although his fourth wife will be happy to hear I’ve never seen him with his socks off.